L’architettura del Deccan tra il XIV e il XVI secolo

L’architettura del Deccan tra il XIV e il XVI secolo

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Topic
chevron_rightLanguages and Cultures of the Middle and Far East

Language
it

ISBN (print)
978-88-6969-249-9

ISBN (ebook)
978-88-6969-243-7

ISSN
chevron_right 2610-8879

e-ISSN
chevron_right 2610-9433

Date of publication
06 Apr 2018

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Eurasiatica | 10

L’architettura del Deccan tra il XIV e il XVI secolo
Incontri, sincretismi e costruzioni identitarie

Sara Mondini
ORCID 0000-0001-5243-6621 
Università Ca’ Foscari Venezia, Italia
sara.mondini@unive.it

DOI 10.30687/978-88-6969-243-7

Abstract
Moving from the analysis of the architectural style promoted by the Bahmani dynasty (1347-1527) in Deccan, the volume intends to offer a cross section of the social, religious and cultural complexity of the region. The identification of artistic models and vocabularies allows, as a matter of fact, to redefine conflicts and encounters in the region and to outline the reshaping of the diverse identities throughout the decades. The described scenario, together with the sharing of spaces and rituals, reveals the inapplicability of the preconceived categories that generally dominate the South Asian studies even in the artistic field: it rather redraws the Subcontinent’s sacred geographies and the relations among the communities settled in the region.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents

Table of contents

×
Campo DC Valore

dc.contributor.author

Mondini Sara

dc.title

L’architettura del Deccan tra il XIV e il XVI secolo

dc.type

Book

dc.language.iso

it

dc.description.abstract

Moving from the analysis of the architectural style promoted by the Bahmani dynasty (1347-1527) in Deccan, the volume intends to offer a cross section of the social, religious and cultural complexity of the region. The identification of artistic models and vocabularies allows, as a matter of fact, to redefine conflicts and encounters in the region and to outline the reshaping of the diverse identities throughout the decades. The described scenario, together with the sharing of spaces and rituals, reveals the inapplicability of the preconceived categories that generally dominate the South Asian studies even in the artistic field: it rather redraws the Subcontinent’s sacred geographies and the relations among the communities settled in the region.

dc.relation.ispartof

Eurasiatica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2018-04-06

dc.dateAccepted

None

dc.dateSubmitted

None

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-243-7/EUR-10

dc.identifier.issn

2610-8879

dc.identifier.eissn

2610-9433

dc.identifier.isbn

978-88-6969-249-9

dc.identifier.eisbn

978-88-6969-243-7

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

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