Mujer inmigrante y cine español: estereotipos y evolución

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DC Field	Value
dc.identifier	ECF_chapter_1300
dc.contributor.author	Zarco Julieta
dc.title	Mujer inmigrante y cine español: estereotipos y evolución
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	This paper analyzes a selection of Spanish films focusing on gender representation and the migratory experience. The analysis is performed both at micro level (representations and individual experiences) and at macro level (representations and sociocultural experiences). In the second part, the paper examine stereotype construction in contemporary Spanish film productions (1990-2012). Films included are Manuel Gutiérrez Aragón’s Cosas que dejé en La Habana (1997); Icíar Bollaín’s Flores de otro mundo (1999); Fernando Merinero’s La novia de Lázaro (2002); Fernando De Aranoa’s Princesas (2005); Pedro Pérez Rosado’s Agua con sal (2005); Isabel de Ocampo’s Evelyn (2012) and Helena Taberna’s documentary Extranjeras (2003).
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-12-14
dc.dateSubmitted	2017-07-23
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-208-6/mujer-inmigrante-y-cine-espanol-estereotipos-y-evo/
dc.identifier.doi	10.14277/6969-208-6/RiB-7-10
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-208-6
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Cinema
dc.subject	Cinema
dc.subject	Feminization of migration
dc.subject	Feminization of migration
dc.subject	Gender
dc.subject	Gender
dc.subject	Migration
dc.subject	Migration
dc.subject	Spanish cinema
dc.subject	Spanish cinema

Chapter
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Mujer inmigrante y cine español: estereotipos y evolución

Julieta Zarco Università di Genova, Italia

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abstract

This paper analyzes a selection of Spanish films focusing on gender representation and the migratory experience. The analysis is performed both at micro level (representations and individual experiences) and at macro level (representations and sociocultural experiences). In the second part, the paper examine stereotype construction in contemporary Spanish film productions (1990-2012). Films included are Manuel Gutiérrez Aragón’s Cosas que dejé en La Habana (1997); Icíar Bollaín’s Flores de otro mundo (1999); Fernando Merinero’s La novia de Lázaro (2002); Fernando De Aranoa’s Princesas (2005); Pedro Pérez Rosado’s Agua con sal (2005); Isabel de Ocampo’s Evelyn (2012) and Helena Taberna’s documentary Extranjeras (2003).

Published

Dec. 14, 2017

Submitted

July 23, 2017

Language

ISBN (EBOOK)

978-88-6969-208-6

Keywords: Gender • Migration • Feminization of migration • Cinema • Spanish cinema

permalink: http://doi.org/10.14277/6969-208-6/RiB-7-10

Copyright: © 2017 Julieta Zarco. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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