L’impronta di Matteo di Vendôme nella diffusione degli schemi di

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DC Field	Value
dc.identifier	ECF_chapter_1561
dc.contributor.author	Perugi Maurizio
dc.title	L’impronta di Matteo di Vendôme nella diffusione degli schemi di correlazione e pluralità (sec. XI-XVI)
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Matteo of Vendôme’s Ars versificatoria is the volume that, more than any other, lets us identify in the troubadours’ vocabulary some recurring features regarding morpho-stylistics and rhyming. Moreover, the Ars versificatoria is the well-known archetype of two stylistic features that are crucial in authors of trobar clus (especially Raimbaut d’Aurenga and Arnaut Daniel), who hand them down to Petrarch and the European Petrarchism: the first one concerns the asyndeton (Versefüllendes Asyndeton) that is usually employed in the ordo artificialis to mark the beginning of a poem; the latter regards the arrangement according to the rhetorical pattern called versus rapportati. As to the Poetria nova, it lets us clarify the meaning of some keywords of the troubadour poetry, especially those related to a technique that is usually (and anachronistically) interpreted in a symbolic way, but which actually derives from rules and notions coming from the school of Chartres and elaborated by Geoffrey of Vinsauf. This paper can be viewed as a chance to gather and re-examine many ideas collected in some of the Author’s publications.
dc.relation.ispartof	Medieval and Modern Philologies
dc.relation.ispartof	Serie occidentale
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-03-16
dc.dateSubmitted	2017-09-15
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-205-5/limpronta-di-matteo-di-vendome-nella-diffusione-de/
dc.identifier.doi	10.30687/978-88-6969-137-9/007
dc.identifier.issn	2610-945X
dc.identifier.eissn	2610-9441
dc.identifier.isbn	978-88-6969-205-5
dc.identifier.eisbn	978-88-6969-137-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Arnaut Daniel
dc.subject	Arnaut Daniel
dc.subject	Etienne Jodelle
dc.subject	Etienne Jodelle
dc.subject	Geoffrey of Vinsauf
dc.subject	Geoffrey of Vinsauf
dc.subject	Jean de Sponde
dc.subject	Jean de Sponde
dc.subject	Matthew of Vendôme
dc.subject	Matthew of Vendôme
dc.subject	Petrarch
dc.subject	Petrarch
dc.subject	Raimbaut d’Aurenga
dc.subject	Raimbaut d’Aurenga
dc.subject	Versus rapportati
dc.subject	Versus rapportati

Chapter
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L’impronta di Matteo di Vendôme nella diffusione degli schemi di correlazione e pluralità (sec. XI-XVI)

Maurizio Perugi Université de Genève, Suisse

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abstract

Matteo of Vendôme’s Ars versificatoria is the volume that, more than any other, lets us identify in the troubadours’ vocabulary some recurring features regarding morpho-stylistics and rhyming. Moreover, the Ars versificatoria is the well-known archetype of two stylistic features that are crucial in authors of trobar clus (especially Raimbaut d’Aurenga and Arnaut Daniel), who hand them down to Petrarch and the European Petrarchism: the first one concerns the asyndeton (Versefüllendes Asyndeton) that is usually employed in the ordo artificialis to mark the beginning of a poem; the latter regards the arrangement according to the rhetorical pattern called versus rapportati. As to the Poetria nova, it lets us clarify the meaning of some keywords of the troubadour poetry, especially those related to a technique that is usually (and anachronistically) interpreted in a symbolic way, but which actually derives from rules and notions coming from the school of Chartres and elaborated by Geoffrey of Vinsauf. This paper can be viewed as a chance to gather and re-examine many ideas collected in some of the Author’s publications.

Published

March 16, 2018

Submitted

Sept. 15, 2017

Language

ISBN (PRINT)

978-88-6969-205-5

ISBN (EBOOK)

978-88-6969-137-9

Keywords: Petrarch • Matthew of Vendôme • Raimbaut d’Aurenga • Geoffrey of Vinsauf • Arnaut Daniel • Etienne Jodelle • Versus rapportati • Jean de Sponde

permalink: http://doi.org/10.30687/978-88-6969-137-9/007

Copyright: © 2018 Maurizio Perugi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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