Bandello en el taller dramático de Lope

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DC Field	Value
dc.identifier	ECF_chapter_1003
dc.contributor.author	Carrascón Guillermo
dc.title	Bandello en el taller dramático de Lope
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	The Italian novelle, particularly those of Boccaccio, Bandello, and Giraldi Cinzio, provide the narrative raw material for the plot of almost 10% of Lope’s theatrical production. Bandello stands out among these writers as a favorite ‘supplier’ for the playwright. The comparison between Si no vieran las mujeres and Carlos el perseguido by Lope and their respective Bandellian hypotexts allows scholars to examine the mechanisms and resources used by Lope in his intersemiotic translations. Furthermore, it constitutes a step in the description of the grammar of motives and functions we call ‘formula of the comedia nueva’, ultimately building toward, through a logical-semantic analysis, a formal model of Lope’s grammar.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-04-13
dc.dateSubmitted	2015-08-01
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/bandello-en-el-taller-dramatico-de-lope/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-35
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Bandello
dc.subject	Bandello
dc.subject	Comedia nueva
dc.subject	Comedia nueva
dc.subject	Dramatic formula
dc.subject	Dramatic formula
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Novelle
dc.subject	Novelle

Chapter
open access peer reviewed

Bandello en el taller dramático de Lope

Guillermo Carrascón Università degli Studi di Torino, Italia

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abstract

The Italian novelle, particularly those of Boccaccio, Bandello, and Giraldi Cinzio, provide the narrative raw material for the plot of almost 10% of Lope’s theatrical production. Bandello stands out among these writers as a favorite ‘supplier’ for the playwright. The comparison between Si no vieran las mujeres and Carlos el perseguido by Lope and their respective Bandellian hypotexts allows scholars to examine the mechanisms and resources used by Lope in his intersemiotic translations. Furthermore, it constitutes a step in the description of the grammar of motives and functions we call ‘formula of the comedia nueva’, ultimately building toward, through a logical-semantic analysis, a formal model of Lope’s grammar.

Accepted

April 13, 2016

Submitted

Aug. 1, 2015

Language

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Comedia nueva • Lope de Vega • Bandello • Novelle • Dramatic formula

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-35

Copyright: © 2017 Guillermo Carrascón. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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