Serenísima palabra
Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
edited by
abstract
From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.
Juan Bautista Pederzano • Modernity • Cea Tesa • Poetics • Comedy • Spanish Golden Age theatre • Hagiographic drama • Letters • Matos Fragoso • Baroque • Morisco figures • King Sebastian • Literary censorship • Spanish Poetry • Paremiology • Libretto • Financial crisis • Public-Private relation • Queen Isabel de Borbón • Farsalia • Bandello • Comedy of magic • Ambiguity • Italophile • Spanish Golden Age, History of Linguistics • Jewels • Tesoro de la Lengua Castellana • Bernardo de Sandoval y Rojas • Italian • Translator • Tragic play • Spanish Golden Age • Romances of chivalry • La Maya • Spanish Golden Age Theatre • El piadoso veneciano • History of typography • Love poetry • Rewriting • Lady of Copacabana • Lope sources • Alonso Remón • Alonso de Castillo Solórzano • Theatre Translation • Venitian printing • Bible • Religious Poetry • Mystical symbols • Open access • Adventure books • resemantization • Novel • Luís de Camões • Barbers • CABIGO • Cut flower • Poetry about music • Metrics • Translation Studies • Quijote • Epic and Drama • Sonnet • Góngora • Gongorism • Donkey • Sermon • Prior censorship • 17th century Theatre • interludes • Seville • Cristóbal de Morales • Translation constraints • Gemstones • Octosyllabic verse • Juan de Valdés • Censors • The Book of Judges • Perfecto predicador • Decorum • Justice • Nadie fíe su secreto • Preacher • Spanish Court Poetry • José de la Concha • Countess of Harrach • Francesco Portonari • Eroticism • Trees • Language • Symbolism • Baroque poetry • Fraud • Analysis • Promujer • Moreto • Conquest of Peru • Ideology • Critical edition • Collaboration • Spiritual poetry • Rimas • Textual bibliography • Tridentin work • Tree • Dramatic formula • Adaptation Studies • Tametsi decree • Komenský • Press • Diccionario de Autoridades • Baroque theater • Cohesion • Jáuregui • Phonetics • Quiñones de Benavente • Metaphors • Experience • Madmen • Quotations • Saavedra Fajardo • Comedia nueva • San Juan de la Cruz • Short farce • Baroque comedy • Metaphor • Versification • Affect • Enchantment of Dulcinea • Barahona de Soto • Rhetoric • Chivalric romance • Order of the Golden Fleece • Poetry • Francisco de La Torre • Carlo Goldoni • Spanish theatre • Castillo Solórzano • Mercadante • Auto • Correction to editio princeps • Philip IV • La noche de San Juan • Spanish Golden Age entremeses • XVII century • Orthography • Theatre • Graphical changes • Publisher • Miguel Torga • French Classical Theatre • Enríquez de Cabrera • Nuns • Travel narratives • Italian Renaissance • Calderón • Honour • Disgust • Exemplary Novels • Mysticism • Venice • Traitors • Marginalization • Christian preacher • Guzmán de Alfarache • Copper coin • Affinities • Francisco de Quevedo • José Saramago • Philosophical method • Images • Unstable • Fernando de Herrera • Girolamo Gigli • Interpretation • Preaching • Repentance • Dramatic space • Picaresque novel • Margaret Theresa of Spain • Butterfly • Bibliography • Golden Age minor theater • Truth • Hernán Núñez • Novelas ejemplares • Epic poetry • Notes • Pynchon • La Zucca del Doni en spañol • Las dos doncellas • Iberism • Post-Tridentine Spain • Caballero de Illescas • Fernández de Lizardi • Suspension • Spain • Dynamism • Literary styles • Decameron • Homeric simile • Orthographiy • Dedications • Calderón de a Barca • Comedias de pícaros • Shame • Lovers • History of book • Cervantes • Politics • Carlo Gozzi • Luigi Groto • New Spain • Topos • Popular culture • Vázquez Siruela • Stylistic development • Music • Robbery • Juan de Mariana • Tradition • Dalila • Twentieth century • Corruption • Anthroponomy • Jerónimo Corte-Real • Translation • Díaz de Rivas • Fine taste • Critical editions of literary Works • Sociability • Stage • Quixote • History of Spanis language • Playing cards • Labyrinth • Cáncer • Illustrated edition • Eulogy • Renascence • Sermons • El dómine Lucas • Literary authors • El maestro de danzar • 17th Century • Hernando de Acuña • Antonio de Zamora • Rojas Zorrilla • José de Arroyo • Italy • Poggio Bracciolini • Segmentation • Expression • Jiménez Patón • Reception theory • String literature • Translators • Low Baroque • Controversy • Coherence • Facetia • Painting • Rosete Niño • Mythification • Refranes • La Gerusalemme liberata • Parody • Madrid • Literary criticism • Portugal • Luis Gálvez de Montalvo • Women writers • Mendeley • Novelle • Spanish literature of the Golden Age • Priest • Early Music • Sonnets • Anacreontics • Theater • Italian translation • Portuguese poetry • Edition • Female reader • Uruguay • Pedro Sarmiento de Gamboa • Slang • Castillejo • Attributed authorship • Festive relation • Philology • Ineffable language • Sacrament of penance • Espada sagrada • Empire • Helmet of Mambrino • Roberto el diablo • Melchor Díaz de Toledo • Seven love letters • Italian humanist short prose • Metre • Love • Satyre • Álvar Núñez Cabeza de Vaca • Insane asylums • Book of Job • Fear • Lope de Vega • Autobiography • Asceticism • Catalogue • Journey • Diálogo de la lengua • Giacomo Franco • Literary sources • Atonement • Intertextuality • Anagilda • Grotesque body • Literature • Sociology • Oliveros de Castilla • Siglo de Oro • Olivieri di Castiglia • Nicolini da Sabbio • Golden Age Poetry • Jorge de Montemayor • Aminta • Satire • Walter Raleigh • Imago • Proverbs • 17th century • Kundera • Witticism • Booklets • Don Quixote • El bautismo del príncipe de Marruecos • Figurón comedy • Golden Age • Court • Lope • Antonio Sacchi • Empresas políticas • Notes in scholarly editions • Variety • Council of Castile • Republic of Letters • Dedicatees • Cándido María Trigueros • Descartes • Seventeenth century • Timanthes • Explicitation • Renaissance books • Miguel de Cervantes • Santa Teresa • Style • Córdoba • Authors • Anti-aulic satire • Literary Forgery • Gypsies • Quevedo • Authorship • Granada • Spanish Novel • Francisco de Leefdael
Preface
1 Plenary lectures
2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
3.1 Contributions: Poetry
3.2 Contributions: Theatre
3.3 Contributions: Prose
3.4 Contributions: Language and translation
3.5 Contributions: Miscellany