Transformaciones del cómic en España en el siglo XXI

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DC Field	Value
dc.identifier	ECF_chapter_521
dc.contributor.author	Barrero Manuel
dc.title	Transformaciones del cómic en España en el siglo XXI
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	Comics ceased to be mass media during Postmodernity, and the comic industry has been in suspense since the beginning of new century. Internet and the ICT modelled a growth in the comic sector until 2008, year that marked the start of an unstoppable decrease. The effervescence of the Spanish case was due to the consolidation of media conglomerates as well as new emerging promotion channels. Therefore, today we can detect the most successful comics in the licensed ones and in the adaptations, but also in fumetti with intimate, biographical or social themes. We also ackowledge the crisis of the sector.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-04-27
dc.dateSubmitted	2016-09-07
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-145-4/transformaciones-del-comic-en-espana-en-el-siglo-x/
dc.identifier.doi	10.14277/6969-146-1/RiB-4-2
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-145-4
dc.identifier.eisbn	978-88-6969-146-1
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Comic industry
dc.subject	Comic industry
dc.subject	Financial crisis
dc.subject	Financial crisis
dc.subject	Reading habits
dc.subject	Reading habits
dc.subject	Spanish comics
dc.subject	Spanish comics

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Transformaciones del cómic en España en el siglo XXI

Manuel Barrero Universitat de València, Espanya

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abstract

Comics ceased to be mass media during Postmodernity, and the comic industry has been in suspense since the beginning of new century. Internet and the ICT modelled a growth in the comic sector until 2008, year that marked the start of an unstoppable decrease. The effervescence of the Spanish case was due to the consolidation of media conglomerates as well as new emerging promotion channels. Therefore, today we can detect the most successful comics in the licensed ones and in the adaptations, but also in fumetti with intimate, biographical or social themes. We also ackowledge the crisis of the sector.

Submitted

Sept. 7, 2016

Language

ISBN (PRINT)

978-88-6969-145-4

ISBN (EBOOK)

978-88-6969-146-1

Keywords: Financial crisis • Spanish comics • Comic industry • Reading habits

permalink: http://doi.org/10.14277/6969-146-1/RiB-4-2

Copyright: © 2017 Manuel Barrero. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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