Paz, Duchamp, Peggy Guggenheim: pluralità di linguaggi e archivio

« previous chapter | next chapter »

Iscriviti alla newsletter

DC Field	Value
dc.identifier	ECF_chapter_279
dc.contributor.author	D’Angelo Biagio
dc.title	Paz, Duchamp, Peggy Guggenheim: pluralità di linguaggi e archivio
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Marcel Duchamp’s aesthetics interested Octavio Paz’s theoretical reflections. His volume, Marcel Duchamp o el Castillo de la Pureza, published for the first time in 1968, and expanded in 1973 with a new title, Apariencia desnuda, represents one of the most incisive criticism studies to Duchamp by someone that does not belong to art history and criticism. Paz’s originality consists in reading Duchamp under a poetical and philosophical perspective, creating a sort of unique ‘ekphrastic autobiography’.
dc.relation.ispartof	Diaspore
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-12-15
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-113-3/paz-duchamp-peggy-guggenheim-pluralita-di-linguagg/
dc.identifier.doi	10.14277/6969-112-6/DSP-6-10
dc.identifier.issn	2610-8860
dc.identifier.eissn	2610-9387
dc.identifier.isbn	978-88-6969-113-3
dc.identifier.eisbn	978-88-6969-112-6
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Archives
dc.subject	Archives
dc.subject	Artistic autobiography
dc.subject	Artistic autobiography
dc.subject	Contemporary aesthetics
dc.subject	Contemporary aesthetics
dc.subject	Duchamp
dc.subject	Duchamp
dc.subject	Paz
dc.subject	Paz

Chapter
open access peer reviewed

Paz, Duchamp, Peggy Guggenheim: pluralità di linguaggi e archivio

Biagio D’Angelo Universidade de Brasília, Brasil

VIEW PDF DOWNLOAD PDF

abstract

Marcel Duchamp’s aesthetics interested Octavio Paz’s theoretical reflections. His volume, Marcel Duchamp o el Castillo de la Pureza, published for the first time in 1968, and expanded in 1973 with a new title, Apariencia desnuda, represents one of the most incisive criticism studies to Duchamp by someone that does not belong to art history and criticism. Paz’s originality consists in reading Duchamp under a poetical and philosophical perspective, creating a sort of unique ‘ekphrastic autobiography’.

Language

ISBN (PRINT)

978-88-6969-113-3

ISBN (EBOOK)

978-88-6969-112-6

Keywords: Artistic autobiography • Contemporary aesthetics • Paz • Duchamp • Archives

permalink: http://doi.org/10.14277/6969-112-6/DSP-6-10

Copyright: © 2016 Biagio D’Angelo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

References to this chapter

How to cite