Borders
Itineraries on the Edges of Iran
open access | peer reviewed
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edited by
- Stefano Pellò - Ca' Foscari University of Venice - email orcid profile
Abstract
This collection of essays stands as the first volume of the new Eurasiatica series entirely devoted to the vast territories of Iranian culture, understood in the widest sense possible and in an open chronological perspective. Explicitly refusing any fetishization of particularism, it contains fourteen studies organized in thematic pairs: a sequence of interrelated itineraries exploring several heterogeneous borderlands – from Avestan philology to film studies – starting from plural, competing and coexisting ideas of Iran.
Keywords Masnavi • Ni’matullāhiyya • Iranian Cinema • Kalasha • Iranian Studies • Qatīl • Indo-Persian • Bahmanī • Interfaith • Bidel • Avestan • Mockery • Iranian calendar • Frontier • Talesh • Landscape • Kashmir • Arabic Dialectology • Indus • Shi’a • Fenghuang • Other • Mughals • Keywords? • Pre-Islamic • Indo-Iranian • Iranian Dialectology • Photography • Northern Iran • Hindu Kush • Diaspora • Phoenix • Sayyids • Persian language • Mirrors in Movies • Shī‘a • Sino-Sogdian art • Philosophy and Film • Loanwords • Defensive moat • Qābūs ibn Wušmgīr • Nuristan • Gonbad-e Kāvus • Kafiristan • Grammaticalization • Deccan • Sasanians • Lucknow • Indo-Persian poetry • Religious identity • Vedic • Ziyarids • Conversion • Simurgh • Barrier • Gilan • Iranshahr • Funerary architecture • Iran • Abbas Kiarostami
Permalink http://doi.org/10.14277/978-88-6969-100-3 | e-ISBN 978-88-6969-100-3 | ISBN (PRINT) 978-88-6969-101-0 | Published Aug. 3, 2016 | Language en, it
Copyright © 2016 Stefano Pellò. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.