Canonicitat i metapoesia en Dos poals (2005), Els hòmens primer (2010) i Ei, que ja

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DC Field	Value
dc.identifier	ECF_chapter_188
dc.contributor.author	Burset Silvia
dc.contributor.author	Vives Anna
dc.title	Canonicitat i metapoesia en Dos poals (2005), Els hòmens primer (2010) i Ei, que ja sé francés! (2014) de Josep Vicent
dc.type	Chapter
dc.language.iso	ca
dc.description.abstract	I explore the nature of the poetic identity in Dos poals de sabó i un cabàs de no res, quan, fet i fet, uns altres peguen el mos; no hi ha cap altre camí que descreure (2005), Els hòmens primer, si és home, i després les dones, i al contrari (2010), and Ei, que ja sé francés! (2014) by Valencian poet Josep Vicent Cabrera Rovira. In particular, I focus on questions of canonicity and mechanisms of authorial legitimation. My analysis considers the presence of Vicent Andrés Estellés and Joan Brossa in these books, as well as the metapoetic discourse (including the ensuing complicity between poet and reader). I draw on modern and postmodern theoretical frameworks, including Freud’s interpretation of dreams, Viala’s reading of canonization processes, and Bousoño and Marr’s theories of metapoetry. My contention is that the poetic voice in Josep Vicent’s poetry emerges from the contrast between the influence of past canonical poets and the rebellion against Power.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-03-01
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-067-9/canonicitat-i-metapoesia-en-dos-poals-2005-els-hom/
dc.identifier.doi	10.14277/6969-059-4/RiB-2-2
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-067-9
dc.identifier.eisbn	978-88-6969-059-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Authorial legitimation
dc.subject	Authorial legitimation
dc.subject	Brossa
dc.subject	Brossa
dc.subject	Canonicity
dc.subject	Canonicity
dc.subject	Estellés
dc.subject	Estellés
dc.subject	Josep Vicent
dc.subject	Josep Vicent
dc.subject	Metapoetry
dc.subject	Metapoetry

Chapter
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Canonicitat i metapoesia en Dos poals (2005), Els hòmens primer (2010) i Ei, que ja sé francés! (2014) de Josep Vicent

Anna Vives University of Sheffield, UK

Silvia Burset Universitat de Barcelona, España

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abstract

I explore the nature of the poetic identity in Dos poals de sabó i un cabàs de no res, quan, fet i fet, uns altres peguen el mos; no hi ha cap altre camí que descreure (2005), Els hòmens primer, si és home, i després les dones, i al contrari (2010), and Ei, que ja sé francés! (2014) by Valencian poet Josep Vicent Cabrera Rovira. In particular, I focus on questions of canonicity and mechanisms of authorial legitimation. My analysis considers the presence of Vicent Andrés Estellés and Joan Brossa in these books, as well as the metapoetic discourse (including the ensuing complicity between poet and reader). I draw on modern and postmodern theoretical frameworks, including Freud’s interpretation of dreams, Viala’s reading of canonization processes, and Bousoño and Marr’s theories of metapoetry. My contention is that the poetic voice in Josep Vicent’s poetry emerges from the contrast between the influence of past canonical poets and the rebellion against Power.

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ISBN (PRINT)

978-88-6969-067-9

ISBN (EBOOK)

978-88-6969-059-4

Keywords: Josep Vicent • Metapoetry • Authorial legitimation • Canonicity • Brossa • Estellés

permalink: http://doi.org/10.14277/6969-059-4/RiB-2-2

Copyright: © 2016 Anna Vives, Silvia Burset. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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